Players use touch controls to easily walk around, climb, and interact with objects throughout the game to solve simple puzzles. On the gameplay front, Coming Home is comparatively simple. Netflix is home to some great animation, so it would also make sense for that artistry to apply to its games. The gorgeous 2D art is colorful, looks hand-drawn, and almost feels kid-friendly despite how grave the subject matter it’s portraying is.

Image used with permission by copyright holder It’s equally awe-inspiring and horrifying, bolstered by Coming Home’s distinct visual style. It has the player walking across the bottom of the sea as you see bodies and ships from the Battle of Jutland sink to the seafloor. One particularly memorable set piece doesn’t contain any dialogue. While it might seem disrespectful to represent such a brutal war in a cartoonish manner, the horrific moments stand out all the more clearly as a result. It does all that with a minimalist style, as its characters speak in pantomime, only saying a word or two as a narrator eventually cuts in to fill in narrative blanks or give context on the state of the war. Like the best content on Netflix, it’s a creatively rich and additive experience. I’d even recommend it as a good entry point for kids learning about World War I, especially because the game features plenty of collectible objects and facts that allow players to learn more about the battle. While its story doesn’t feel quite as intertwined as The Great War’s, Coming Home is still enlightening, shining light on parts of the war that aren’t typically covered in your standard history class.

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