(I can already hear the cries of protest to this last statement. The explanation is: 'they are two different chords, and for a good reason!' These two chords are the 'half-diminished 7' and the 'minor 7 flat 5'.Īnd no, the explanation is not 'they are the same chord, they are just called it differently in Jazz and in Classical harmony' and yet we were all thinking they were the same. they are called differently, they behave differently. Talk about the truth staring you in the face. they even teach you that they are the same chord. There are two chords that behave in a different way and that they are even called in different ways. I'm definitely taking the contrarian positions on this. How to Solo Over Minor Seventh Flat-Five (Half-Diminished Seventh) Chords Part Two: Theory of Scales and Scales to Use (click here for part one) In part one of this series on soloing over minor seventh flat-five chords I discussed the basic music theory involved and suggested ways to use arpeggios using the members of the chord. I mean, what I'm about to say should be commonplace. In fact I debated for a while if to make a video about this or not. Then find the minor 7th of that triad (Tip: go down a whole step from the root to find the minor 7th) Finally, just flat the. Learning to play new guitar chords takes practice and dedication, so don't give up if you don't get it right on the first go.

If it sounds good, it is good Chord Tip 1. The intervals in the Cm7b5 chord are Root, Minor Third, diminished Fifth, and Minor Seventh. who will process and use it according to their privacy policy. These G Minor 7 Flat 5 guitar chord variations can be interchanged freely.

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When to use minor 7 flat 5